Though Hubert Chardot is
loath to accept accolades, he forever changed the face of adventure gaming with
the release of the original Alone in the Dark. Not content to rest on his laurels,
he is also responsible for many of my all-time favorite games: Shadow of the Comet,
Prisoner of Ice, and Little Big Adventure (aka Relentless). His newest game, Devil
Inside, is already a huge success in France and Germany and is preparing to
be unleashed upon North American in late 2000. I am currently playing the full
version of Devil Inside, and it is another classic from Hubert and Gamesquad.
It was my pleasure to interview one of my heroes in the industry, and
I truly look forward to meeting Hubert Chardot in person at the E3 in Los Angeles.

You are recognized as the father of the action/adventure
genre. Do you consider yourself an innovator in the industry?

Thanks a lot for the compliment … It pleases me (of course), but I’m sure
that it is very exaggerated … A guy like Peter Molyneux (for example), is really
a master … I’m just a lucky guy who works with very talented graphics and technicians,
no more … The real geniuses are Jules Verne or Jack London … I don’t consider
myself as innovator. I’m just a script-writer who tries to do his best to entertain
gamers … That’s all.

Film and television seem to heavily
influence your work. Are there any particular directors or film styles that you
pattern your games after?

I was working first in the movie
industry for 20th Century Fox and always loved movies, but my family too … My
grandfather and grandmom plus my father and mother fell in love in a movie theater
… Hopefully they don’t meet them at a trial … Imagine me as a lawyer … “No,
your honor, Cthulhu is not guilty … He’s just destroyed Russia, because Boris
Eltsine was late to a business meeting!” More seriously, I love Stanley Kubrick,
Jean Luc Godard, John Ford, Clint Eastwood, Martin Scorcese, Tim Burton, James
Whale, M. Night Shyamalan, the Cohen and Marx Brothers, Laurel and Hardy … I
could type a very, very long list of directors, actors, scene artists, directors
of photography, or movies I admire sometimes just for a sequence … I hope these
guys continue to influence my work. I always slip coding names or situation in
the games I wrote, to thank them. For Devil, the architecture of the entrance
room on the first floor was influenced by Brian De Palma’s Scarface, for
instance …

How about literary influences? Touches
of Lovecraft are very evident in Alone in the Dark.

  It’s the same for literature … I read (and
love) a lot of books. To mention present American novelists, I’m a fan of James
Ellroy, Jim Harrisson, Bret Easton Ellis, and Dan Simmons. Alone 1 was
a very “Lovecraftian,” because the deal with Infogrames was to write
three games in his universe: Shadow of the Comet, Prisoner of Ice, and
Alone. I like how this writer (in terms of “private person,”
it’s different) pushes your imagination. His novels are very basically built,
with a particular (a mix of poor and rich vocabulary unable to describe really
what happens) style that reflects his personality. My first trip in the US, in
1978, was to visit New York and Providence. I was an absolute fan … In Devil
some incantations you have to discover and spell are very Lovecraftian.

Can
you describe in your own words the theme of Devil Inside?

Hell exists, a horde of damned has succeeded to escape from the pandemonium.
A hero who has the power to generate the devil inside him must defeat them and
bring their souls back to hell. This man is the star of a weird TV channel that
can film and broadcast this kind of event live, and produces a successful TV show.
These are the basics of the Devil Inside script. Put more simply, Devil
is a pure action adventure game where you are rewarded and challenged by the
game and the audience.

Are there any particular game shows
or television shows that Devil Inside is patterned after?

Not really … The creative starting point of the whole story was hearing the
INXS song plus a kind of best of America Most Wanted and Cops TV
report, that was broadcast late at night by a French channel (here, these shows
do not exist) … Devil Inside has no message to deliver about violence
in games or TV shows, except the video games are not reality. You can destroy
and kill all the polygons you want, without knowing the Miranda amendment …
To my part, I’m sure if a camera could film the living dead walking around, a
major network, supported by sponsors, will certainly be interested by this phenomenon
… Maybe Devil Inside is more cynical than other games, but I don’t think
that other games had been interested or described the “television world.”

What
prompted your decision to set Devil Inside in Los Angeles? Why not Paris?
Is the theme of the game a statement on your part about American culture?

I love L.A., it’s a very particular town, very photogenic, sophisticated (in
a kind of a way), sweet and rough … Paris is a wonderful city but in this kind
of story I think that L.A is a better choice … Devil is not representative
as I know or love about American culture that is richer now than French culture
in paintings, music, movies, literature (even in TV, The Sopranos is a
very good serial) … The story is set in the US because it’s more convenient
and fits well … In your country things go faster. In Paris, if a guy see a living
dead, he will call the firemen or a psychiatrist … Americans will take a gun,
a camera, and phone to the TV channel next door to sell his report … Much more,
in U.S. a tradition about horror exists nowadays and continues to grow with new
authors or movie makers … Horror is popular. In France it’s very different.
The fantastic genre in literature ends with the 20th Century and was never explored
in movies (except two or three masterpieces like Les Visiteurs du Soir that
takes place in the Middle Ages and was filmed in 1942).

Do
you perceive a cultural difference in the way the American audience will react
to Devil Inside versus the European audience?

We
will certainly change some things in the game, if it is necessary. We are waiting
for US focus group reactions, but we have no preconceived ideas about it.

What
is the balance of puzzles versus action in Devil Inside?

First it was fifty/fifty … But when we begin to develop the game and play,
our own reactions and the wishes of focus groups and testers was to tense more
the game … So we increased the action part that gives more emotions. At the
end, I consider that Devil is a 70-percent action game, but the result
is better than the script, because all the technical and graphics team had been
involved very deeply in this universe during two years … They had the time to
understand it, to love it, and to translate it in terms of animations, sets, algorithms.

What
type of gamer are you attempting to reach with Devil Inside–action or
adventure?

Frankly, I don’t know … We just want to give
new emotions to the gamers … I hope we reach that.

Are
there any scenes in the game that offer the player a choice to solve a problem
by using brain over brawn?

We didn’t want to realize a
pure shoot them up, when you can run on corridors and kill all enemies around
… So you always have to be smart and clever because your opponents are dangerous,
die hard, and vicious.

Why does the male character of Devil
Inside have a female double with psychic powers?

I
think a female part exists in every man (and a man part in every girl …)
So the psychic powers had seem to me more appropriate with a devil woman, very
positive because she punishes the damned and it was amusing to imagine male gamers
who play Dave (the tough guy, full of testosterone) morphing into Deva.

What’s
next after Devil Inside? Do you already have a sequel planned if the game
gets high “ratings”?

Devil is set to be
a trilogy … Of course if the first game is a success, Devil 2 will certainly
have more chances to be realized.

Are you involved in any
way with the new Alone in the Dark game?

Yes, but
I’m only consultant for the script.

Are there currently
any plans to port Devil Inside to any of the consoles such as the Dreamcast
or the Playstation?

Yes … These ideas seem to seduce
Cryo (our French publisher) and us but for now, we have no further information
about these projects.

Thanks for your questions … Have a very good day.