INTRO: With its mix of
pure adventure elements and arcade shootouts, Dust is one of
the more revered adventure titles from the mid-90s. Is this loopy
western as good as everyone says it is? Read on and see.

DUST: A TALE OF THE
WIRED WEST is a fun, ambitious title from the talented folks at
Cyberflix. An entertaining romp through a dusty New Mexico town in
the 1880s, it’s a game that has many virtues, but its flaws keep it
from being a genuine classic.

Dust
is a first person point-and-click adventure in which you play a mysterious,
handsome, unnamed stranger. After an atmospheric opening cinematic
in which your character crosses a dangerous outlaw named The Kid,
the game begins with you moseying into the desperate desert town of
Diamond Back. Through the town’s frightened, scheming inhabitants,
you gradually learn the huge backstory to the game, which includes
a displaced Indian tribe, bounty hunters that are tracking a poker
player, lost treasure, murder, a confidence scheme involving a pyrite
mine, and . . . oh, gee, that’s just the tip of the iceberg. Not to
mention the fact that the town (surprise, surprise) is without a sheriff.
Hmm . . . a career opportunity for the Stranger?

Clearly, your character
has a lot of catching up to do, and this is done largely through conversation.
There is A LOT of conversation in Dust, and your reaction to
the game will largely be affected by how much dialog you like in a
game. Generally the dialog is entertaining, well-performed, and well-programmed,
but it was more talk than I was interested in participating in. After
a few hours of the game, I empathized with a character who kept cutting
conversation off with the curt remark, “I’m DONE conversatin’.”

However, for dialog lovers,
this game is a feast.

The
game is full of nice visual detail, like animated farm animals, buzzards,
and some especially welcome tumbleweeds. The interface shows your
character’s upper torso and face, and there are nice animations to
enjoy here, too, such as a slight sneer to his lip when The Kid shows
up.

Also, the game provides
a convincing and fully explorable small town, with a handy map to
aid navigation. There is a nice sense of reality and freedom as you
move through this complex story. There’s even a helpful character
who provides clues when you need it.

The gameplay is varied,
including a certain amount of inventory-gathering, information gathering
through all that conversation, and, in the endgame sequence, a certain
amount of Timelapse-esque
twiddleware puzzles. This variety is one of the game’s major strengths.
In fact, the game designers took a big risk with the mystic finale
sequence, which could seem out of place to some players. However,
I considered it to be a rich and unexpected finale to an already good
game. Good endgames are rare in our genre, and I appreciated this
one.

The gameplay does include
a strong action element as well, and this will be a dealbreaker for
pure adventurists who have no patience for arcade elements in their
games. There are two major gunfights and a final showdown with The
Kid. Many players have complained about the difficulty of the gunfights
in this game. I have to say that I thought they were a riot – challenging
enough to be fun, but never impossibly difficult. (Maybe it’s just
all that time in the 80s I spent in Times Square video arcades paying
off.) Like another more recent Cyberflix title, Redjack,
I really enjoyed the action element of the game, and felt like it
added a bit of spice without totally skewing the games genre identity.
And, like Redjack, Dust contains an opportunity to “train”
in the necessary action skills.

The
characters are generally fun and entertaining. One particular character
(a certain doctor) had me wondering how Cyberflix avoided a lawsuit,
and I really enjoyed an outrageous faux French loser named Buick Riviera.
One character is quite disappointing, however, and that is the Indian
woman Sonoma. I don’t mind cliché characters in a story like
this, and most of the characters in Dust are entertaining clichés
. However, what’s the point of using a BORING cliché? Remember
the bland moonfaced woman who used to hawk Mazola margarine on TV?
“With the natural goodness of maize.” Well, Sonoma is her
even more boring sister.

On to what I didn’t like
about the game.

As ambitious as the game
is, I feel it technically overreaches itself at times. First of all,
the game is visually quite disjointed. There are three basic visual
elements: cinematic cutscenes, standard gameplay visuals, and closeup
character visuals. The cutscenes are fluid, beautifully done 3D computer
graphics, the gameplay visuals are low-grade 3D with lots of pixilation,
and the character closeups are sort of choppy video puppets. This
game is from 1995, and I’m sure we’re dealing with technical limitations
here, but more care should have been taken to pull the three main
elements together. For example, the clothes the characters are wearing
in the gameplay visuals and the closeups don’t always even match!
The game looks as if there were three different design teams working
separately without enough communication between them. One of the things
I loved the most about Cyberflix’s Redjack was its beautiful
unity of design, and I missed that in Dust.

Also,
there are some problems caused by sloppy programming. Here’s an example.
The game is divided into five days, and in the first day, your game
choices can lead you to having a fistfight with a local bully, or
avoiding the fight (in fact, the entire scene) altogether. Unfortunately,
even if you don’t have the fight, when you begin the next day, you
find all the characters behaving as if you DID have the fight. This
type of thing caused a lot of confusion for me in several places in
the game. Also, keeping track of all the characters names can become
confusing. This problem is made even worse in the way the other characters
talk to your character. I don’t mind playing someone with no name,
but it’s confusing to be called “Kid” when there’s another
major character with the same name.

Another problem is a lack
of logic in the inventory gathering. To pick a single example . .
. would it occur to YOU to seek birdseed from an undertaker? Me, either.
This problem results in the dreaded “try every inventory object
with everyone and every thing” type of gameplay that is unworthy
of a game of this caliber.

However, the strengths
in this game far outpace the weaknesses, and even with my reservations,
I can heartily recommend this title.

PROS: Rich story,
fun characters, lots of dialog, entertainingly varied gameplay, fun
gunfights.

CONS: Lots of dialog,
tricky gunfights, some sloppy programming and design issues.

CONCLUSION: A flawed,
but must-play “A” list title.

Final Grade: A

SYSTEM REQUIREMENTS:

PC:
Windows 95, Windows 3.1, or Windows NT 3.51, 486 or faster processor
recommended, 8 MB RAM, double speed or faster CD-ROM drive, Super
VGA with 256 colors, 100% Windows compatible sound card.

Mac:
Color Macintosh, System 6.07 or greater, 68030 or faster processor
recommended, Power Macintosh native, 8 MB RAM, color monitor, double
speed CD-ROM drive.

 

This review
is copyright Ray Ivey and Just Adventure and may not be republished
elsewhere without the express written consent of the author. Republication
of said review must also contain a link back to Just Adventure.