The Testament of Sherlock Holmes

The Testament of Sherlock Holmes is Frogwares’ darkest Holmes: a bishop tortured to death in Knightsbridge, a necklace Holmes may have swapped, a journalist who wants him ruined, and a Watson who begins to wonder whether his friend has gone over to the other side. This walkthrough covers the whole case, including the Toby sections, the Watson-alone chapters, every puzzle solution and all 32 achievements.

How the game plays

WASD to move, hold left Shift or double click to run, left click to act, right click to skip dialogue and open the inventory, Space for a hint, Esc for the menu and saving. R (or the middle button) cycles third person, first person and point-and-click. A hand cursor acts, a magnifier examines; a blue ring means actions remain, green means done. The inventory tabs: bag, journal (all dialogue), documents, deduction boards, characters (switching is automatic except at the mill), achievements, map, cutscenes. Combine items by dragging one onto another. Fifteen hints earn the achievement Feeling Around.

The marquis’s house

The tutorial: the hole in the display case left of the fireplace, the window frame and the diamond scratch, the magnifying glass from the mantel, the sheet music by the piano (magnifier on the tiny handprint), the view modes, the hint key. Then: the dead fish in the aquarium, the candle on the carpet, the papers, the safe right of the fireplace, the bell pull, the upturned ornaments, the burnt chair and the soot, the screen left of the sofa (the thief hid there), the parquet, the front door. Inspector Baynes arrives; Holmes reconstructs the theft and finds the necklace: Elementary!

221B and the bishop

Read the Global Explorer: Farley claims the Samoan necklace is a fake swapped by Holmes; Prince Woodville’s status. Let Baynes in, examine the necklace’s three hotspots: a crude fake. Watson takes the map from the desk and travels to the Knightsbridge diocese: the reverend shows the murder scene and throws you out on learning you are not police; Watson’s board: click Wealth, then the new block (the bishop owned nothing of value, even in his safe). Holmes: the body: bound legs, size nine feet, the rope and burns, a finger that is not his, a piece of rope; the broken fingers, the forearm wounds, the self-inflicted stomach scratches, the long-knife cuts, skin between his teeth (he chewed his own hands), no shoes. The overfull stove; the whisky bottle with bloody prints, the smashed bottle, the paperweight used on his fingers, the broken vial with blood; the bookcase: the scourge, a metal pin and hair shirt, Peregrine Maitland’s portrait, the chessboard safe with pry scratches; the bedroom; the locked veranda door; the surgical scalpel on the small table. Footprints at the door: measure each with the magnifier and tape: bottom left size 9 workman; middle left 9.5 workman; top left 9, odd sole, take the stone chip; bottom right 9, fresh, expensive shoes; middle right 9 workman; top right 9.5 workman. Question 1: 3. Question 2: one left in different shoes. Watson’s board: one killer left in the bishop’s shoes; the killers are poor; they followed orders; they sought something specific; page two: the bishop did not break; they did not get it. Send Watson and the reverend to Baynes. Pin on the veranda lock: bend the three segments to match the profile shown, confirm. The ink stain on the rug is on the wrong side: the rug was flipped; lift the corner by the desk, the stain, roll the rug: a chessboard floor; the cloth-covered knight statue with a note: the right square is where the knight stands after visiting all the others. Knight’s tour from the top left (any valid tour; the author’s ended on the centre square); pry that tile with the penknife: the reverend’s letters about his illegitimate children. Choose Blackmail with him (needed for a later achievement): the safe takes rods hidden round the room: three nails on the bookcase’s right shelf, one on the bed, two on the veranda table, one in the plant left of the veranda chair. Place seven nails so no row, column or diagonal holds two (a seven-queens layout), turn the handle: Safecracker if unskipped. The reverend runs to the police.

The lab

Holmes’s bench: the rope: tweezers twice (black stone particles, then clean), tweezers on the damp earth for a soil sample, tweezers again (worn on one side only). The stone chip: acid (the same stone as in the rope), scalpel scrapes black paint: granite from the same place. The scalpel: water, brush: WCCH, a Whitechapel hospital. The finger: tweezers clean the nail, take the earth, dog incisor marks, torn off not cut. Both earth samples: water, scalpel to mix: the same place, a pit. Watson fetches the hospital register from the middle shelf left of the fireplace and reads Farley’s new smear (Lady Hilda Trelawney Hope). Vial into the test-tube rack: for each colour, rotate it over the funnel, tap, count the spots (brown: 1 brown lethality, 2 green aggression, 1 blue muscle stimulant) and log them; the unknown is a violent poison. Watson’s monograph on poisoners: Hans Schielman, the Rat Killer, in Westgate prison. Board: the bishop went mad; the killers made him drink the vial; they had a madness poison (Setting Foot on the Path of Deduction). Register board: the rope always used from one end; grave earth; a chip of a black-painted monument; the rope lowers something into a pit; earth and granite from the pit by the monument; grave; Whitechapel hospital near the grave; pick “Hospital 46-61 by Whitechapel cemetery”: First-class Chemist. Three destinations in any order.

Westgate prison

Warder Frank Brighton admits you; the middle corridor, Administration, last door right: the pregnant secretary Jerry Patterson, the hot teapot, the urgent tray, her name plate, the director Paul Patterson’s plate (same surname); he gives the pass; talk to Jerry. Behind the desk: potassium nitrate on the cabinet, the register, the board, the guards (guest book, weapons, the alarm right of the window, playing cards), the grille, downstairs: McKenzie, Schielman’s last cell left; he will only talk for his own pen. Ask Jerry to call her father; permission for the storeroom; the row about her lost locker key. First door right, Checkroom: the director’s key, the one active locker: paper knife, blotter, a locked box: the periodic table lid; enlarge the letter (Hans’s hand), the blotter under the magnifier has four holes, click each, lay the blotter on the letter, cut the four holes with the knife: Ca, Br, S, H; put everything back and press those four elements. Take the sheet and the pen. Brighton hands over his dress suit, the wardrobe key and a locker key: first door right past the corner, last locker left, suit on the hanger, sodium bicarbonate on the top shelf, slide it for the brown book with Jerry’s key; second locker from the window on the right: the box lock, place the hexagons so touching stones share colours: duty roster, Brighton’s love letter (Beautiful Romance), a medallion. Tell Jerry about the roster and slip it to the guards; give James the roster, write O’Sullivan’s reference; give Schielman the pen, learn about the poison; tell the director of the planned escape. Watson: the alarm is dead; keys from the phone table, left corridor, throw the keys down to O’Sullivan; with Holmes back at the alarm: steer the arrow with WASD through the barriers into the gap in the centre ring. Schielman’s cell holds O’Sullivan; outside on the road, Schielman; choose Whitechapel hospital: Prison Break.

Whitechapel

Talk to passers-by (Truant). The church opposite the hospital, right through the gate to the cemetery, the locked shed: its rope and the murder rope match under the magnifier; the cart behind holds a soup voucher for 19 September, Kurtz from Grape Joe; the crooked gate left, the open grave: compare its earth with the saucer; the gravedigger’s shack is locked; the black slab behind it: granite and black paint match the chip. The soup wagon on the street: the crate marked 36; the man will not talk about Joe; offer dice: first to exactly 36, a skull wipes unsaved points, so bank every two or three throws (Lucky). Joe’s friends are at the hospital morgue. Dr Grant allows it; the recent-deaths list goes into the journal; the morgue: Kurtz’s jacket by its tag, scissors from the centre tray, slit the collar (a plan of the cemetery with a cross), the pocket (two keys) and the cuff (a rod). Shed lock: both keys, turn, when the bolt slides left put the rod in the right hole. Inside: a big axe, the note about the lovers’ tree; axe off the crate lid, pry the cracked bottom with the penknife: the loot is hidden with Romeo and Juliet. The last tree on the right in the far cemetery: “Sally + John” and a symbol; both on the death list, poisoned; the grave in the middle of the back row with the same symbol; shovel by the shed ladder; dig: a box coded 78235464, digits moving in pairs: 75 up and left; 26 down, right, up between 4 and 8; 44 up; 68 down, left, up between 3 and 2; 36 down, right, up; 75 down; 44 left, down between 5 and 8; 54 up; 82 down, left, up between 7 and 4; 36 down, left, up after 24; 43 down, left under 82; 54 right, down between 2 and 6; 46 up, right once; 43 right, up after 5; 54 down, right, up after 3; 35 down, left, up after 2; 46 down between 5 and 4 (Number Wizard). Two candlesticks, a bloody hammer, a key. The shack door moves: scare the boys, choose Fear (for the achievement): the Colonel, Kurtz, lives at 8 Batty Street, right at the end of the cul-de-sac.

Kurtz

Key on the door. The body: the head (recent death, skin already rotting), the gnawed left arm, the fang marks, the stomach, the bandaged right finger: cut it with the penknife, the missing finger. Legs: the right wound, both boots, size nine, hobnailed. The two dogs’ wounds. The opium tray by the cupboard; the dog bowl; the newspaper with a blood print (the stain, a clean patch, the grapes); the photo; the discharge order and dog tag on the mantel; the South African war cutting; the drawer of the overturned table. Board: the dogs were poisoned; the man was mauled by his own dogs; page two: he was brought a ready opium pipe; he is one of the bishop’s killers. Watson arranges the autopsy; Holmes: cotton to clean, scalpel on the right dotted line, rib spreader, scalpel on the lung, pipette for fluid, spreader out, scalpel on the other line, spreader, cut the stomach, tweezers: a paper reading 13 Berner Street (Hidden Message). The rack by the sinks: pipette, analyse as before; board: poisoned by poison mixed with opium; the same poison as the bishop’s; page two: a ready pipe; one of the killers; his accomplices brought it; they poisoned him. From the church left, first alley right, straight, right, the door with red lanterns: the opium den. The key board behind the Chinese host; behind the red curtain: the washing basin, two sleepers, jasmine tea, the awake client with a full ashtray; the far door is locked, note its characters; the guard at the other door. Take a glass from the basin, the ashtray, the jasmine tea, combine into a foul drink, give it to the awake client; when the host runs to him, take the top left key whose characters match the door. Inside: a cleaver under the vent, the second vent lets you overhear the bishop’s killers. Sedate the guard: syringe and barbituric acid from the shelf, a spoon of opium balls from the cup, matches on the burner, spoon on it for liquid opium; the host locks you in; opium into the syringe, syringe into the acid. Stick from the bucket, rag off the vent, cleaver on it, prop it with the stick, out; Watson lures the guard, inject him at the corner (a second chance is given), up the stairs. Back at Baker Street, Kensington.

Kensington

The landlady of the bishop’s nephew: thieves took the washing; the garden: two pegs from the empty stretch of line, Henry’s window, the shed with a pickaxe and no shovel, the rake, the pot-and-string alarm under the tree; pickaxe on the fence boards right of the gate: newspaper and bread bottle on the barrels, the locked shed, the jacket in the tree (rake it down: Garden Detective), the spy hole in the fence. Give the jacket to the landlady; Henry’s room: the scarf on the floor, empty coat hooks, the two sticks and string on the desk, the candle (light it with matches), the torn paper from the bin onto the square: reassemble, hang it on the string with the pegs, pass the candle under it: eight words appear, order them: street, wharf, Stingin, south, 1, 2, 3, bank. Books, the violin, the bed; pickaxe on the boards under the window: a coded box; rotate it and click four groups of scratched numbers until Watson says he has them. Group one is Fibonacci, 3, 5, 8: 8. Group two, columns sum to 9: 1. Group three spirals by minus 3, 2, 1: 6 minus 2 is 4. Group four, column averages 5, ?, 7: 6, so 18 minus 8 minus 7 is 3. Code 8143. The box should have held a Paterson Colt: name the three missing things, pistol, shovel, violin case.

The abandoned factory (Toby)

Up the stairs, bark at the footprints, over the tracks, left and up to the pub, sniff its gate, down and left to the wooden bridge, right for prints, the bridge has collapsed: sniff the post, the door, the next door right, paw it open, follow prints to the lever room (jammed), out right for more prints, the dead end for the oil can, back: Holmes oils and lowers the lever; a support breaks; hop the posts in order across; climb the rig, lower the right lever, the bridge drops for Holmes. Prints on, the locked door, the open upper window and the hoist: untie its rope, ride up, downstairs, paw the door open; prints to the tool board (two ice axes missing), the gate Holmes can break, the wall over the crates where the man climbed out; the metal bar by Holmes’s door, carry it to the locked door for Holmes. The fire board minus hook and hose; the huge gates locked; the broken rails; the lever panel on the left building: Holmes rides across, kick the chock from the right wheel, the wagon jams in the gap and Holmes crosses. Prints to the right building, the crates and sacks to the windows (Holmes forbids the jump), round left, shift the sacks, squeeze in (Bloodhound). The boiler by Holmes’s window, pull the rope; middle door, up the crates, along the pipe, down, the ladder, chase the cat. Holmes: left door into the foundry, along the bridge, first left, the centre: Henry.

Osmond Farley

The hot coffee pot, the fuse box, the locked office, the coat: press pass from the inner pocket, cigar case from the outer. Farley leaves. Through the keyhole the secretary types; hanger hook on the fuse box: make the three currents meet, then the big lever (Freedom of the Press). Secretary’s room: inked ribbon in the bin, the typewriter without ribbon, the notepad with a torn page, the brush from the box, the notepad under the magnifier (something written), the apparatus. Farley’s office: the fallen book, The Adventures of Sherlock Holmes, its shelf, the burnt note in the grate, the drawn curtains, the lettered drawers, the keys and 13-13 by the phone (Scotland Yard), Prince Woodville’s photo and two notes from the board, the half sandwich, the misplaced chair, the ashtray: ash, cigar, glowing end. Back: ash onto the far notepad, brush: “Per Holmes: prepare biography D-J”. Drawer D: the blue-print file on the prince; Watson on the view from the window. The journalist’s deduction: he looked out and saw Holmes; threw the chair back and ran; locked the door and left the key; the visitor smoked a cigar facing him; he dropped the library book; he threw paper in the fire without watching it burn (Master of Deduction). Click the book on the board: move the shelf books, a lock: the last three signs only, scratched +6, letters and numbers stepping separately: 4, 10, 16 and D, J, P: 4D10J16P, lever. Behind the door, a top hat.

Baker Street: hat on the desk, click every hotspot: a judge’s hat; the judges’ file from the shelf right of the fireplace, match the three photos’ features: Judge Coutts Beckett. Watson gets the address.

Judge Beckett’s house

Knock, ring, round the right, the gate, the window lock; Watson gets a hairpin from Miss Lucy the flower girl; bend it to the new profile. Kitchen: the rowlock under the cloth by the stove; the classroom: Miss Becker’s desk, two photos, a letter, the map box; her father’s letter on the lectern; the blackboard rollers are rusted: sunflower oil from the kitchen, oil both, flip the board: Greek letters, Watson notes them. Map box: the Bombay photo shows 18:00 and unmarried hands, the London photo 10:00 and rings; set 10 and click London, slide the map right, set 18 and click Bombay: a key (Keeper of Keys). The box between the windows: Roman numerals in a rising sequence using every piece, none above X, X used once. Its rowlock. The cabinet’s handles are gone; the sweets and the open book behind the glass; James’s jacket on the hooks and the wrappers: he hid the handles in his desk. The seating plan: hover names for hints (a broom marks the class cleaner; blue frames juniors, red seniors). Row one: Jasper, Mark, Anastasia, Ophelia, Eddie, Charlie. Two: Orson, Bart, Pierce, Elmer, Alice, Talia. Three: Louisa, Rosa, Damian, Fergus, Simon, James. Four: Taylor, empty, Justin, Aaron, Lloyd, Lewis. James sits by the window in row three: handles, open the cabinet: the Greek textbook; the book on American fraternities from the far stand. Hall: Beckett’s note, Miss Beckett’s warning on the easel, the study key. Study: third rowlock on the corner stand, the top left photo (take it; the top right shows New York University), the statues, the ashtray and Holmes’s parcel, the card index, the trophies. The coat of arms: rowlocks in the top holes, the three blank scrolls: the university crests against the fraternity list all begin with N; the flag on the campus photo carries a Greek Z; Beckett’s note says 3.14, pi. Write N, Z, Pi; then arrange the oars under each rowlock into those letter shapes so all three turn horizontal. The steel door opens: the strongroom safe sorts coloured balls with six arrows, a long fixed sequence (greens, then blues, then the rest; the skip is honest here): Lawbreaker. Take the contents. Watson reads the flat plan and tries to reset the oars; Holmes hustles him out.

Watson alone

Baker Street: Toby, Kurtz’s pipe, the ink pen like the Rat Killer’s, the newspaper, the wrapping paper on the sofa, the pinned sheets on the mantel (for All About Holmes also examine the bust in Holmes’s room, the harpoon over Watson’s door and Watson’s typewriter). Watson’s dream, Baynes’s interrogation. Holmes’s room: the bust, the jacket on the bed, the hat, the boots under the chair; the left bedside drawer: move the tobacco, a hole, the nail from the right reveals a false bottom: four envelopes, pastor, workman, clerk, captain, the Victoria Cross, the photo. Collect three full outfits (hat, jacket, trousers, shoes) from the mannequin, chairs, bed, sofa, coat hooks and floor, and build them in the wardrobe: pastor (wide hat, long coat, plain shoes, clean trousers), captain (military coat, belted trousers, polished boots, elegant hat), clerk (plain shoes, clean coat, ink-stained trousers, nondescript hat); lay the envelopes under them; the leftover envelope is 6 Bucks Row (Searching for Sherlock). Watson’s drawer is empty of money. Bucks Row, first alley right: Danny the Anvil bars the door. For Blackmailer (with the earlier Blackmail and Fear choices) first say “sanitary service” and “I’ll go to the police”; to get in: “I’m a fan”, “I want to paint your portrait”, “to immortalise you”, “the right light”. While she changes: the tobacco box, blotter and folder on the cabinet; the reagent, microscope, pipe and tubes on the bench; Holmes’s hat and coat, the dirty basin, the crystal glasses; the back room: violin, sheet music on the chair, the vase and big plant, the open case, the locked case cuffed to the bed needing a key and three digits. Take the pipe and the one-page music paper under it; pipe on the four glasses plays the tune: Beethoven’s Fifth. The sheet music has a stain; under the microscope there is writing; pour the reagent into the dirty basin (earth), take the blotter, blotter on the microscope, diluted reagent on the stains until Watson says stop, blotter on the wet spots: 359 (Melomania). Dig the plant pot’s lower right for the key; case: key, 359, turn: a train ticket.

The mill

Split the work with Holmes: the three brothers inside (Anarchy in the UK); take the vodka and the Times. Switching is now manual via the characters tab. Holmes upstairs: the oil can and the strong rope, dead lamps, the magician’s trunk: examine the costume’s marked spots, the hidden pocket: a diary page and lockpicks (Attention to Detail); the costume wardrobe, the hatch to Watson, the flour sacks, the millstone in good order, the shaft missing two gears and stained red (people were tied to it); the two ungnawed sacks: penknife, border passes and Henry Fergusson’s card; a gear between the sacks; the creaking boards by the windows (the penknife breaks on them); the partition wall; outside, the boarded window, the small window on the stairs. Shed opposite: lockpicks, screwdriver from the toolbox, a spade blade; the broom by the stairs: screwdriver on its cord (or the knife if unbroken); in the shed fit handle to blade and screw it; spade on the partition: a metal bar, tie the rope to it, it is short; pry the creaking boards with the spade blade: a machine gun, revolvers, crates, a chain: chain on the millstone, tie its other end to the rope; open the hatch and ask Watson for the second gear. Watson: flour falls on the coded chest; the brush from the basket left of the fireplace, brush the flour over the buttons, three hold it; the scratch “< 3 <“: 236. A bomb mechanism inside; the brothers give the key; the medicine box left of the stairs: bandages and peroxide; vodka, peroxide and bandages make a dressing for the deaf brother; they say where the gear is: the boards left of the fireplace; gear up through the hatch. Holmes sets both gears; nothing. Watson: the gear left of the big wheel onto its axle. Holmes: the collapsed wall’s skeleton, the note in its right hand; he decides to burn the mill: the oil can.

The sewers (Watson)

Watson Against the World. Right, the rope in the water, pull it up: a body; the hook from the kerb; left, a cigarette butt, the ladder’s top rung, rung on the bar right of the iron gates for a second bar; the boat opposite; the wire off the pipe over the door; wire the two bars together; the drain platform, bars into its holes; hook and rope on the boat: a bloody scarf and a metal part in it; across, footprints to the hatch, scarf cleans it, part into the top right hole: three ball mazes with edge arrows. One: right, down, right, up, left, up, left, down, right, down. Two: up, right, down, left, up, left, down, left, up, right, up, left, down, left, up. Three: right, down, right, up, right, down, left, up, left, down, right, down, left, up, right, up, left, down, right. Down the ladder: Lazarus.

The fair

Holmes: a bar from the burning barrel, the cable car: cutters from the toolbox, the engine’s oil and fuel tanks nearly empty, the crank socket; in the car break the box with the bar for the crank, the jammed lever, oil in the wooden box; oil in the left tank, crank in; three bottles of vodka at the next barrel into the fuel tank, crank. Watson: lever in the car, out on the roof: the rusty vat, a rope from the gravel sacks, the round hole (the soup wagons arrive), a second rope from the sacks left of it, up the ladder, the window, a dry rag from the beam, a third rope left of the vat; tie them; the iron ladder to the yard: an empty bottle tied to the rope; the dirty window resists the dry rag; up to the vat top, drop the bottle for water, wet the rag, wipe the window. Holmes: the wooden ladder by the cable car’s old spot, right to the last lamp, ladder on the crate, cut both wires, over the fence; the giraffe target under the porch, the phone wire to the big building; the shooting-gallery owner’s tent: the lion target from the cupboard, the book’s title hides a sheet (knife on the lower left corner), remember the last line; the children’s gallery lacks three targets; knife on the middle poster: a safe without a keyhole; the monkey from the till; the bench note. Targets in: on the jungle’s edge the chimp did not see the vulture that seized it, the giraffe saw: chimp far left, lowered; vulture; giraffe. The hyena waited for the hare, both starved, the giraffe was the hare’s neighbour: hare right of the giraffe facing the hyena, hyena right of it, both lowered. Only the elephant may stand among predators with its back to the king: elephant, then the lion facing right. The gazelle died turning its back on the lion: last slot, back to the lion, lowered (Law of Nature). Bundles of money. A guard: the menagerie: the last cage right, a big syringe, bandages, a key by the bone; the medicine box at the far end: ether; money on the straw, before the door, on the entrance step, before the gallery tent, at the fork; the guard follows the trail into the cage: lock it, ether on the bars. The rope from the gallery shelf. The second guard: the tent with the caged madman, the hook crane’s wheel needs the handle from the chair, crank it to the cage; the screen and its hole from the stepladder, the bearded lady poster, the mermaid poster; Hans’s diary and the reagents on the podium, the drawer note: the key is with the bearded lady: knife at her right shoulder. Rope through the cage loop and onto the crane hook; knock over the bottle crate, the guard runs in, lock the door, pull the pin from the cage and the rope by the window. Watson rejoins.

The carousel, the horror house’s locked door and noises, the phone wire behind it; the three wagons: the first, a metal dish and the manifesto, the wanted poster; the second locked; the third with Russian voices, its cut chimney; the privy’s vodka crate. The puppet theatre: Prince Woodville rehearses and draws on Watson; behind the stage the tangled curtain ropes: arrange the buttons so no ropes cross, lever: the prince drops into the magician’s trap (Illusionist). His ring from the stage edge; the red-uniformed mannequin’s belt, knife on it: magician’s powder and belt. Powder down the anarchists’ chimney, dish over it; they run to the privy; lock them in; the wagon: the Russian-English dictionary, wire from the hook, the statuette, the note of place names, the plate from the bucket, empty draughts; dictionary tabs: B, Buckingham Palace; NO, National Bank; PR, House of Commons; ST, Scotland Yard: the bomb sites. Saw the ladders off wagons two and three, wire them together, round the horror house left, ladder under the balcony, saw the two bars’ four ends, the ring’s diamond cuts the glass.

Watson: the anarchists’ wagon: the watering can, the pan, the oven, the dry towel and the key under it, towel opens the oven, water on the flame; the locked wagon: the matryoshka’s smallest doll holds a key, the chest under the bed: a Russian letter (note the Cyrillic sign), glass marbles, a clock hand; the brothers’ workshop shed by the first wagon: hand into the lock, turn until all four circles show the letter’s sign: bottom, left, top, right. The sheet on the table folds into an origami diagram; crowbar from the cupboard opens the crate of dynamite; radio and copper wire from the box; assemble: dynamite on the base, fuse, radio, clock, wires, incendiary bottle, handle; crank, click. Carousel: round the horses to the chair, the radar, lower right switch, memorise the four blue dots and click their places (blue lamps for hits); the phone panel: warn Holmes; throw the marbles at the balcony window. Holmes: two sheets from the wardrobe, the master paintings, The Dynamics of an Asteroid (Moriarty’s room), the key from the round table, cutters on the chest lock, the doll’s bow hides a rod, the deed of transfer; rod on the gun case lock, bend it (Burglar); the gun lacks its striker; oil from the box. Corridor: Moriarty; five shelves from the broken bookcase; the railing hotspot; the plan: lay shelves across the maze walls below. First shelf on the hotspot, tie the sheets to the post, climb down: one step, left, oil the rusty gears, click the partition; right, forward, right, left at the fork, forward, left, the active partition on the right, through; the left bay, move the partition ahead; the one on the right, through; the one on the right. Climb back up, lay shelves two to five along the hotspots; one short: reuse any shelf already crossed. Key on the right door, phone the police, the knock at the window. Carousel: Holmes’s phone on the panel, the lamp panel: light every lamp in the four sectors from the inner ring (Bomb Disposal; all puzzles unskipped: Brain). Out the main gate, left to the cable car; it stops midway, Moriarty spots you: the bucket behind Watson, bomb in, belt on it, onto the left cable: it flies to the vat (Demolition). Penknife on the hatch’s right corner, the emergency lever, back to the fair, the horror house, left corridor, the door, cutscene, the door again: Legacy.